Moon Boat

The Eternal Connection: Boats, Rivers, and Art in Bangladesh

A Lifelong Bond with Boats and Rivers

As a Bangladeshi, my connection with boats and rivers is deeply rooted in my identity. Bangladesh, with its labyrinth of rivers—over 700 according to some historical sources—has nurtured a culture where boats are not just a means of transportation but a symbol of life, tradition, and survival. These rivers, with names as beautiful as their flowing waters, have shaped our land and our people. The boats, named with equal care and poetry, have always been more than vessels—they are a part of our collective soul.

Moon Boat

The Moon Boat: A Symbol of Chittagong’s Naval Heritage

Among the myriad types of boats that have graced our rivers and seas, the Moon Boat holds a special place in my heart, especially because of its origin from my native city, Chittagong. The Moon Boat, with its elegant crescent shape, is more than just a fishing vessel; it is a reflection of the rhythm of life by the Bay of Bengal. These boats, crafted to navigate the challenging waves of the deep sea and the journeys to the islands, embody the resilience and ingenuity of the local fishermen. The beauty of their design, functional yet artistic, has inspired me to explore this motif in my artwork across various mediums—drawing, painting, lino printing, watercolour and more.

Yves Marre and His Unforgettable Contribution

My fascination with boats took a profound turn when I first read about Yves Marre and his extraordinary work in Bangladesh in a newspaper at the age of ten. The story of how he sailed a river barge from France to Bangladesh, later transforming it into the floating Friendship Hospital, left a lasting impression on me. It was an act of generosity and innovation that spoke to the very spirit of my country—a place where water, though a source of life, can also be a source of hardship.

In 2017, as a student of Alliance Française, I had the incredible fortune of meeting Yves Marre in person. I read a passage at his book launch, a moment that connected my childhood admiration to my adult aspirations. Yves Marre is not just a philanthropist; he is a kind soul whose work in preserving Bangladesh’s naval heritage and providing healthcare to the most remote river communities is nothing short of inspiring. Our continued friendship is a treasure to me, and his influence is a guiding light in my own artistic journey.

Preserving the Moon Boat: A Heritage at Risk

The Moon Boat, as Yves Marre himself has said, is one of the most outstanding and typical boats of the Bay of Bengal. However, like many traditional crafts, the art of building these boats is at risk of fading away. In 2013, through the collaborative efforts of Watever, TaraTari Shipyard, and the Zeppelin photo agency, a project was initiated to preserve the knowledge and techniques of Moon Boat construction. Five skilled carpenters from Cox’s Bazar were brought to the TaraTari shipyard, where their craftsmanship was meticulously documented. This preservation effort ensures that future generations can continue to build these beautiful vessels, keeping the tradition alive.

Since 2014, the Moon Boat has been showcased in France as part of efforts to highlight the rich naval heritage of Bangladesh. This international recognition of our traditional boats is not just a nod to their unique design but also an acknowledgment of the cultural significance they hold.

Yves Marre said about moon boat, “This boat, whose beauty is matched only by its rarity, is one of the most outstanding and the typical of the Bay of Bengal”.

Boats in My Art: An Ongoing Exploration

In my artwork, the Moon Boat is more than just a subject; it is a symbol of connection to my homeland, to the rivers that crisscross it, and to the people who have lived by and from the water for centuries. My representations of the Moon Boat in various artistic forms are an homage to this heritage, a way to keep the stories of our rivers and boats alive in a world that is rapidly changing.

The rivers of Bangladesh are not merely geographical features; they are the lifeblood of our nation. The boats that navigate them are not just tools but vessels of culture, history, and identity. Through my art, I hope to convey the importance of preserving this rich heritage, to celebrate the beauty of our traditional boats, and to honor the work of those like Yves Marre, who have dedicated themselves to safeguarding our cultural legacy.


Commentaires

5 responses to “The Eternal Connection: Boats, Rivers, and Art in Bangladesh”

  1. […] with the inclusion of real objects such as socks and gloves. Additionally, I pursued the motif of boats, drawing them in relation to the museum’s collection. These works represented a continuation […]

  2. Chère Tanjim,
    Comme vous, j’ai considéré les charpentiers de marine du Bangladesh comme des artistes.
    Témoin de la disparition de leurs savoirs faire pour des technologies plus « modernes », j’ai eu à cœur de préserver leurs mémoire et leur si riche héritage.
    Je suis touché par votre talent et votre œuvre qui leur rend hommage en s‘incarnant dans le « Moon boat » que j’aime tant !!!
    Pour votre information, il a été accueilli par le MMM (Musée Mer Marine) de Bordeaux comme exposition permanente.
    Je vous souhaite tout le succès que vous méritez dans l’exposition de vos œuvres.
    Avec mon admiration,
    Yves Marre

    1. Chère Yves,

      Merci infiniment pour votre message chaleureux et vos encouragements. Je suis profondément touchée par votre soutien et par l’admiration que vous portez à mon travail. Votre dévouement à préserver le savoir-faire des charpentiers de marine du Bangladesh est remarquable, et c’est un honneur de pouvoir contribuer à cette noble cause à travers mon art.

      Je suis ravie d’apprendre que le “Moon Boat” a trouvé une place au Musée Mer Marine de Bordeaux en tant qu’exposition permanente. C’est une reconnaissance précieuse de cet héritage maritime unique, et je suis reconnaissante pour votre rôle essentiel dans cette préservation.

      Votre soutien renforce ma conviction dans l’importance de célébrer et de préserver notre patrimoine culturel. Merci encore pour votre aide précieuse. Je vous adresse toute mon admiration et ma gratitude.

      Avec toute mon amitié,

      Tanjim Chowdhury

  3. Merci Tanjim,
    Encore Bravo !!!
    Tous mes vœux de succès pour votre expo !!!
    Yves

    1. Cher Yves,

      Merci beaucoup pour vos encouragements et vos vœux chaleureux ! Votre soutien est une grande source d’inspiration pour moi.

      Je vous suis reconnaissante pour vos félicitations et pour votre soutien constant.

      Avec toute ma gratitude,

      Tanjim Chowdhury

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