Fusion Installation Alpana

Fusion of Spiritual Traditions: Mandalas, Rangolis, and Alpanas

Art as a Reflection of Humanity: Exploring Tradition and Meditation

Art often mirrors our humanity, providing a means to explore our deepest traditions, beliefs, and aspirations. With this in mind, the art installation I propose is more than just an exhibition of shapes and colors; it’s an immersion into a universe where ancient traditions meet contemporary meditative practices. Rooted in the geometric patterns of mandalas, rangolis, and Alpanas, this creation offers a sacred space for contemplation, introspection, and inner connection. This fusion of past and present, spirituality and daily reality, creates a unique artistic experience that transcends temporal and cultural boundaries.

The Mandala: Transcendent Geometric Wisdom

The mandala has fascinated and inspired for centuries. Beyond its visual beauty, it embodies a transcendental geometric wisdom, symbolizing the universe and our place within it. In my installation, I draw from the architectural essence of the Somapura Mahavihar, an ancient monastery in Bangladesh. Its forms and proportions, imbued with the principles of the mandala, evoke a profound connection between humanity and the divine, between artistic creation and spiritual quest.

Spiritual Fusion of Mandalas and Alpanas

Mandalas and Alpanas, like rangolis, carry the spiritual heritage of ancient cultures. Originating from India and Bangladesh, these artistic expressions transcend geographical and temporal boundaries. Alpanas, in particular, painted with rice flour, demonstrate a deep connection to the earth and its cycles. Their ephemeral fragility reminds us of the transient nature of all existence. In my installation, I pay homage to this centuries-old tradition, capturing the essence of meditation through the symbols and motifs of Alpanas.

A Reflection on the Circulation of Objects and Cultures

In my artistic approach, I explore the theme of the circulation of objects and cultures through the ages using mediums such as mandalas, rangolis, and Alpanas. While these art forms hold deep spiritual significance, I seek to transcend this dimension by using simple, reclaimed materials like wheat flour and metal pieces.

By weaving a subtle connection between the sacred and the profane, between past and present, my installation becomes a reflection of a universal interconnection where the boundaries between ancient traditions and contemporary realities blur. I am aware that, traditionally, mandalas, rangolis, and Alpanas are highly colorful, especially with the use of vibrant acrylic paints in Bangladesh. However, I have chosen a more subdued approach. Most of my pieces are pale or white, inviting viewers to come closer and take the time to understand.

Artistic Inspirations and References

My work aligns with a lineage of visionary artists who have pushed the boundaries of artistic expression. Pioneers like Celia Gondol and Suzan Drummen have explored new artistic paths using various materials to create evocative installations. Their works have paved the way for a new form of art, where spirituality and meditation blend with the materiality of the world. Their influences are evident in my own artistic approach, where I seek to combine the millennia-old traditions of mandala and Alpana with contemporary materials.

An Ode to Universal Spirituality: My Artistic Vision

At its core, my art installation is an ode to universal spirituality, offering a profound exploration of the connections that unite us with each other and the cosmos. By blending the ancient traditions of mandala and Alpana with contemporary materials, I craft an artistic space where the sacred and the profane harmoniously converge. This work invites viewers to engage in contemplation, meditation, and reflection on our place within the infinite universe.


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